BEGIN:VCALENDAR VERSION:2.0 PRODID:SoDel X-WR-CALNAME:\"Casting Shadows\" Exhibit at Gallery One BEGIN:VEVENT UID:146912022-06-28 DTSTART:20220628T140000Z SEQUENCE:0 TRANSP:OPAQUE DTEND:20220628T210000Z LOCATION:32 Atlantic Avenue\nOcean View Delaware 19970 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=32 Atlantic Avenue\nOcean V iew Delaware 19970;X-APPLE-RADIUS=49;X-TITLE=32 Atlantic Avenue:geo:38.543 020,-75.086875 GEO:38.543020;-75.086875 SUMMARY:\"Casting Shadows\" Exhibit at Gallery One CLASS:PUBLIC DESCRIPTION:A cast shadow is a type of shadow that is created on a form nex t to a\nsurface that is turned away from the source of light. Every objec t\nthat blocks light has a cast shadow associated with it\, darkest where \nthe shadow starts next to the object\, softer and lighter the farther\nt he shadow is from that object. That is the definition of what our\nartist s are beautifully rendering this month at Gallery One. The\nGolden Hours of the day for shadows are at sunrise and sunset\, the\nlong shadows at t his time helping to define the terrain\, and to\ncreate that magical glow that artists love. This can be seen\nexquisitely in “Late Afternoon\, S ussex Shores\,” a pastel by artist\nLaura Hickman. As Laura writes\, “One of the most beautiful times at\nthe beach is when the sun is almos t setting. The angled light creates\nbeautiful long shadows of the dunes a nd fences that reach almost to\nthe water.” Artists Cindy Beyer\, and C heryl Wisbrock also delight us\nwith long dramatic shadows. Cindy’s pas tel painting is called\n“Shadow Walk” and Cheryl Wisbrock “Bayside Shadows\,” Cheryl\nfound the deep shadows to be more inspiring during th is\npainting session than the shimmering bay she had intended to portray\ ,\nboth because of their welcoming contrasting cool\, and because of the\ nnetwork of patterns cast on the sand. Speaking of the Beach\, Lesley\nMc Caskill’s\, acrylic painting\, “Staying in the Shade\,”\nillustrates  another use for shadows: Shade. Lesley’s perfect\ncompositional triad\ , and use of warm and cool colors brings us to the\nbeach. We can feel th e sun burn starting on the boy without a hat\, or\nthe shade of the umbre lla. Michelle Marshall’s painting\, “Looking\nfor Lunch\,” takes us to the shore on a decidedly “shadowy\,”\nfeeling day. Artist Dale Sh eldon’s\, “Shadows Across the Road\,”\nin acrylic\, and “Two’s C ompany\,” and Acrylic Mixed Media\npainting by Mary Bode Byrd\, depict the beauty created when\nnature combines trees with the setting sun. As D ale writes\, “the\nafternoon sun casts long shadows across a dirt road running thru an\nolive orchard in Tuscany.” We are visually transported to\nthat olive orchard by the complex path of shadows! Mary’s painting\ nis a graphic delight with its vibrant complementary colors of blue\nand orange\, reminiscent of Wayne Thiebaud’s cityscapes.\n\nFor more info\, call 302-537-5055 or email art@galleryonede.com.\n X-ALT-DESC;FMTTYPE=text/html:

A cast shadow is a type of shadow that is c reated on a form next to a surface that is turned away \;from the sour ce of light. Every object that blocks light has a cast shadow associated w ith it\, \;darkest where the shadow starts next to the object\, softer and lighter the farther the shadow is \;from that object. That is the definition of what our artists are beautifully rendering this month at&nb sp\;Gallery One. The Golden Hours of the day for shadows are at sunrise an d sunset\, the long \;shadows at this time helping to define the terra in\, and to create that magical glow that artists \;love. This can be seen exquisitely in &ldquo\;Late Afternoon\, Sussex Shores\,&rdquo\; a pas tel by artist Laura \;Hickman. As Laura writes\, &ldquo\;One of the mo st beautiful times at the beach is when the sun is \;almost setting. T he angled light creates beautiful long shadows of the dunes and fences tha t reach \;almost to the water.&rdquo\; Artists Cindy Beyer\, and Chery l Wisbrock also delight us with long \;dramatic shadows. Cindy&rsquo\; s pastel painting is called &ldquo\;Shadow Walk&rdquo\; and Cheryl Wisbroc k \;&ldquo\;Bayside Shadows\,&rdquo\; Cheryl found the deep shadows to be more inspiring during this painting \;session than the shimmering bay she had intended to portray\, both because of their welcoming \;co ntrasting cool\, and because of the network of patterns cast on the sand.& nbsp\;Speaking of the Beach\, Lesley McCaskill&rsquo\;s\, acrylic painting \, &ldquo\;Staying in the Shade\,&rdquo\; illustrates \;another use fo r shadows: Shade. Lesley&rsquo\;s perfect compositional triad\, and use of warm and cool \;colors brings us to the beach. We can feel the sun bu rn starting on the boy without a hat\, or the \;shade of the umbrella. Michelle Marshall&rsquo\;s painting\, &ldquo\;Looking for Lunch\,&rdquo\; takes us to the shore \;on a decidedly &ldquo\;shadowy\,&rdquo\; feel ing day. \;Artist Dale Sheldon&rsquo\;s\, &ldquo\;Shadows Across the R oad\,&rdquo\; in acrylic\, and &ldquo\;Two&rsquo\;s Company\,&rdquo\; and& nbsp\;Acrylic Mixed Media painting by Mary Bode Byrd\, depict the beauty c reated when nature \;combines trees with the setting sun. As Dale writ es\, &ldquo\;the afternoon sun casts long shadows \;across a dirt road running thru an olive orchard in Tuscany.&rdquo\; We are visually transpo rted to that \;olive orchard by the complex path of shadows! Mary&rsqu o\;s painting is a graphic delight with its \;vibrant complementary co lors of blue and orange\, reminiscent of Wayne Thiebaud&rsquo\;s cityscape s.

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For more info\, call 302-537-5055 or email art@galleryonede.c om.

DTSTAMP:20260917T211205Z END:VEVENT END:VCALENDAR